{"id":1823,"date":"2026-02-23T16:36:41","date_gmt":"2026-02-23T15:36:41","guid":{"rendered":"https:\/\/all2newmedia.ovh\/le-festival-voce-et-organo-2017\/"},"modified":"2026-10-05T17:38:23","modified_gmt":"2026-10-05T15:38:23","slug":"le-festival-voce-et-organo-2017","status":"publish","type":"page","link":"https:\/\/all2newmedia.ovh\/nl\/le-festival-voce-et-organo-2017\/","title":{"rendered":"Le Festival Voce et organo 2017"},"content":{"rendered":"\n<div class=\"et_pb_section_0 et_pb_section et_section_regular et_block_section\"><\/div><div class=\"et_pb_section_1 et_pb_section et_section_regular et_block_section\"><div class=\"et_pb_row_0 et_pb_row et_block_row\"><div class=\"et_pb_column_0 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\"><div class=\"et_pb_text_0 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><h1 style=\"text-align: justify;\">Het Festival Voce et Organo 2017<\/h1>\n<p><\/p>\n<h2 style=\"text-align: justify;\">\u201cMusica Medicina Cordis\u201d<\/h2>\n<p><\/p>\n<p>Het Festival Voce et Organo 2017 verloopt in twee luiken : :<\/p>\n<p><\/p>\n<ul>\n<li>Eerst en vooral een concert-gebeurtenis in de Onze-Lieve-Vrouw ter Zavelkerk : de drie organisten titularissen van deze kerk (Beno\u00eet Mernier, Roland Servais en Arnaud Van de Cauter) spelen op drie orgels waarvan een organetto, en \u00e9\u00e9n sopraanzangeres die elke week in de Zavel actief zijn.<\/li>\n<li>Een tweede luik, einde van de maand augustus, het vieren van de 20ste verjaardag van het neo-renaissance-orgel van de Kapellekerk met drie voorname vocale ensembles die de rijke polyfonie van de 14de eeuw onder de bogen van de Kapellekerk zullen laten galmen.<\/li>\n<\/ul>\n<p><\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<h2>Zondag 25 juni 2017 \u2013 15u00 \u2013 O.L.V.-ter-ZAVELKERK \u2013 Brussel<\/h2>\n<h2>SABLON AFTERNOON \u2013 Orgelmixtuur en zang<\/h2>\n<p><strong>Met Beno\u00eet MERNIER \u2013 Roland SERVAIS \u2013 Arnaud VAN DE CAUTER, orgel<br \/><\/strong><strong><a href=\"http:\/\/elisegabele.be\/\">Elise G\u00c4BELE<\/a>, sopraan<br \/><\/strong><strong>Anne BERNARD, gamba<\/strong><\/p>\n<\/div>\n<p><\/div>\n<p><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1087 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/ArnaudVanDeCauter01IsabelleFranaix-233x300-2.jpg\" alt=\"\" width=\"233\" height=\"300\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1085 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/bernard_anne-200x300-1.jpg\" alt=\"\" width=\"200\" height=\"300\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1089 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/Gabele_Elise_Photo_2015-195x300-2.jpg\" alt=\"\" width=\"195\" height=\"300\" \/><\/p>\n<\/div><\/div><\/div><\/div><div class=\"et_pb_row_1 et_pb_row et_block_row\"><div class=\"et_pb_column_1 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\"><div class=\"et_pb_divider_0 et_pb_divider et_pb_space et_pb_divider_position_top et_pb_module\"><div class=\"et_pb_divider_internal\"><\/div><\/div><div class=\"et_pb_text_1 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><h2>Zaterdag 26 augustus 2017 \u2013 20u00 \u2013 O.L.V.-ter-KAPELLEKERK \u2013 Brussel<\/h2>\n<p><\/p>\n<p><strong>ORLANDO DI LASSO<br \/><\/strong><a href=\"https:\/\/cavema.be\/fr\/choeur-de-chambre\"><strong>LE\u00a0<\/strong><strong>CH\u0152UR DE CHAMBRE DE NAMUR<\/strong><\/a><br \/><strong>Leonardo GARC\u00cdA ALARC\u00d3N, directie<br \/><\/strong><strong>Arnaud VAN DE CAUTER ORGUEL<\/p>\n<p><\/strong>Het Canticum Canticorum en La Missa Suzanne un jour van Roland De Lassus beschildert in subtiele profane &amp; sacrale tinten de XVIde eeuwse muziek, omluisterd met zijn polychrome orgeltablatuur.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1092 size-medium\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/Chur_de_Chambre_de_Namur_Mars_2016__France_Dubois-700x467-1-300x200.jpg\" alt=\"\" width=\"449\" height=\"299\" \/> ]<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1093 size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/alarcon__Jean-Baptiste_Millot-200x300-1.jpg\" alt=\"\" width=\"200\" height=\"300\" \/>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1094 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/20100820_voceetorgano_0106-webcolor-199x300-1.jpg\" alt=\"\" width=\"199\" height=\"300\" \/><\/p>\n<\/div><\/div><\/div><\/div><div class=\"et_pb_row_2 et_pb_row et_block_row\"><div class=\"et_pb_column_2 et_pb_column et_pb_column_4_4 et-last-child et_block_column et_pb_css_mix_blend_mode_passthrough\"><div class=\"et_pb_divider_1 et_pb_divider et_pb_space et_pb_divider_position_top et_pb_module\"><div class=\"et_pb_divider_internal\"><\/div><\/div><div class=\"et_pb_text_2 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><h2 style=\"text-align: justify;\">Woensdag 30 agustus 2017 \u2013 20u00 \u2013 O.L.V.-ter-KAPELLEKERK \u2013 Brussel<\/h2>\n<p><\/p>\n<p><strong>POOLS TRIDU\u00dcM<br \/>Missa Paschalis van Marcin Leopolita en 16de eeuwse polyfonie uit Poolse bronnen<br \/><\/strong><strong>ENSEMBLE <a href=\"http:\/\/www.graindelavoix.org\/\">GRAINDELAVOIX<\/a><br \/><\/strong><strong>LEON BERBEN (NL), ORGUEL<br \/><\/strong>Ontdek deze primeur voor Belgi\u00eb met werken van poolse componisten zoals Marcin Leopolita, Sebastian van Felsztyn &amp; Nicolaus Cracoviensis, naast franco-vlaamse &amp; duitse tijdgenoten zoals Josquin, Isaac, Finck, Senfl, wiens \u0153uvre bewaard bleef in poolse manuscripten, getuigenis van de culturele kruisbestuiving tussen Polen en onze regionen.<\/p>\n<p><\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1098 alignnone size-medium\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/ob_3f90b8_graindelavoix-koenbroos-700x466-1-300x200.jpg\" alt=\"\" width=\"380\" height=\"253\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1099 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/Berben_Lon-300x255-1.jpg\" alt=\"\" width=\"300\" height=\"255\" \/><\/p>\n<\/div><\/div><div class=\"et_pb_divider_2 et_pb_divider et_pb_space et_pb_divider_position_top et_pb_module\"><div class=\"et_pb_divider_internal\"><\/div><\/div><div class=\"et_pb_text_3 et_pb_text et_pb_bg_layout_light et_pb_module et_block_module\"><div class=\"et_pb_text_inner\"><h2>Zaterdag 2 september 2017- 20u00 \u2013 O.L.V.-ter-KAPELLEKERK \u2013 Brussel<\/h2>\n<p><\/p>\n<p><strong>LAMENTATIO \u2013 RESURRECTIO<br \/><\/strong><strong>ENSEMBLE\u00a0<a href=\"https:\/\/www.utopia-ensemble.be\/\">UTOPIA<\/a><br \/><\/strong><strong>WOUTER DEKONINCK, ORGUEL<\/strong><\/p>\n<p><\/p>\n<p>Het Ensemble<em> Utopia <\/em>belicht de paradoxale relatie tussen leven &amp; dood, vreugde &amp; verdriet met de sublieme Lamentatio\u2019s van Morales &amp; Massaino, met de vermaarde Stabat Mater van Josquin Desprez, uitdrukking van het volkslijden verbonden aan de Mariaverering. De gregoriaanse gezangen van Hildegard Von Bingen en de orgelwerken baden ons in een stralend licht van troost, hoop &amp; vreugde.<\/p>\n<p><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1104 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/utopia_c_ludo_spaepen-539x303-1.jpg\" alt=\"\" width=\"539\" height=\"303\" srcset=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/utopia_c_ludo_spaepen-539x303-1.jpg 539w, https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/utopia_c_ludo_spaepen-539x303-1-480x270.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 539px, 100vw\" \/>\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1105 alignnone size-full\" src=\"https:\/\/all2newmedia.ovh\/wp-content\/uploads\/2026\/02\/dekoninck_wouter_3-252x300-1.jpg\" alt=\"\" width=\"255\" height=\"303\" \/><\/p>\n<p><\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p>(c) Ludo Spaepen<br \/><span style=\"font-size: 16px;\">(1) L\u2019\u00e9glise de la Chapelle \u00e0 Bruxelles est le lieu de rassemblement hebdomadaire de la Mission polonaise en Belgique.<\/span><\/p>\n<\/div>\n<p><\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1823","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/pages\/1823","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/comments?post=1823"}],"version-history":[{"count":1,"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/pages\/1823\/revisions"}],"predecessor-version":[{"id":1838,"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/pages\/1823\/revisions\/1838"}],"wp:attachment":[{"href":"https:\/\/all2newmedia.ovh\/nl\/wp-json\/wp\/v2\/media?parent=1823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}